Here’s a really lovely review of the recent Sonic Asylum at the Edge by John Kirremuir – and some nice pics:
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Here’s a really lovely review of the recent Sonic Asylum at the Edge by John Kirremuir – and some nice pics:
Sonic March
I used to like going to music events and festivals when I was young(er). The buzz, the crowd, the jostling, the raw energy lifting you into an intense place.
But then I got un-young. Not old; I’m 43, and in my head a lot younger when the mood arises. But I like my comforts now; so judge me. I get cramps in my legs. My back hurts from falling out of one too many trees. So, as on a plane or train, legroom is great, especially if the journey lasts several hours. And OMFG a comfy seat yes yes yes. And I’d like to hear the music and for everyone else to STFU so I can hear it clearly – especially when, at contemporary events, you pay a bundle of notes for the ticket, another bundle for the booking fee, yet more cash for the “drink”, and so forth. Go to a concert nowadays, and you’re lucky if you can hear what you want, and you leave with any change out of fifty quid.
End of grumpy middle age man rant. I just want to leave an event less stressed, and more chilled out, than when I went in.
Hence, the last concert in Birmingham I saw was Amiina, sitting down in quietness while listening to six heartbreakingly talented, shy, demure, Icelandic musicians coax notes, tunes, melodies out of all manner of instruments and kitchen implements. I spent the concert blissfully being gently flown away, and idly wondering how I could successfully propose to Hildur Ársælsdóttir who played the saw (seriously). And I left the concert relaxed and content, not stressed. That’s how it should be.
So I took a punt on Sonic Asylum at The Edge. The admission was only three pounds, so that was low risk; hell, it costs more to get a return ticket on a local psychopathically driven bus. I’d been to The Edge in Digbeth before, and knew what this unassuming building, in a part of Birmingham bearing more than a passing resemblance to Detroit in the Robocop films, looked like inside so the venue was okay with me.
And I wasn’t disappointed. Fairy lights hung around a giant playing card. An artist in one corner, who designs the flyers for Sonic Asylum, was busy at his craft. Bar staff wore colonial hats straight from the shoot of the Madness “Night Boat to Cairo” video. Musicians milled and spoke to people who turned up early. The dirty laugh of Sandra, one half of Friction Arts who inhabit the bat cave that is The Edge, floated over the people who drifted in early, like the laugh Sid James made just after Barbara Windsor’s bikini top flew off in Carry On Camping. And while the staff wore doctors coats – the ethos of Sonic Asylum is to cure your ills and stresses – Lee, the other half of Friction Arts and a man who has without exaggeration read many thousands of books, decided to dress like a patient.
The Edge sort of filled up, but not to an annoyingly crowded level. The place does take a little finding – it’s on Cheapside in Digbeth – which may put off a few people. But, it’s eight minutes walk from the Bull Ring, and a few blocks from the 35, 45, 47 and 50 bus routes. So it doesn’t take *that* much finding. Those people who didn’t make the effort; well, their loss.
And it filled up with nice people. Quiet, friendly, non-aggressive, unpretentious people of a wide age range. No egos, or pretentious people in ironic red snow coats, or hipsters with ironic beards and ironic £145 adidas retro bags. Just … normal people. I bought a beer (no queue!), said hello to some people I slightly recognised from Brummie social media and cultural stuff, said hello to some total strangers, used “the facilities” – again no queue! – and wandered back.
The first act politely took his seat, so people took theirs. I chose a sofa. A Sofa. A SOFA. Not a muddy puddle in a field in Leicestershire with alternating rain and bikers piss raining down on me (bad memories). Nor a manure-sprayed field with twenty thousand undergraduates who know only the chorus, and not the verses, to James’s “Sit Down”, and pass around a rizla filled with nutmeg while pretending to “get down” with the “crazy beats”. Nor an eight square inch of neon-dazzled floor boundaried by people half, or a third, of my age who again do not STFU (yes, I have got a thing about people who turn up to cultural events, ignore the performers and make noise, and I think it is legitimate to at least slap them lightly).
But, A SOFA. With as much leg room as I wanted. That’s a point – I’d happily pay a premium for a sofa on a train, or even a plane. Especially a plane. But I digress. Again. Badly.
The first performer was Charles H. Wolfenbloode / Rupert Tsua, a musician, scholar and robemaker from Birmingham. Studious, concentrated, but warm in demeanor, he played a seven stringed traditional chinese instrument called the guqin zither, laid out in front of him. His fingernails were noticeably cut, rounded, to an exact length, shape, as he plucked strings. Before each piece, he’d explain the historical context, and the title, such as Geese Rising from the Sand Bank. You could have heard a pin drop, as the cliche – in this case accurately – goes.
The audience politely applauded between piece, held attention. I tried to discreetly take photos, and not appear to be a dickhead amateur photographer (don’t get me started on people who now hold up iPads at festivals to record performances). The lighting in The Edge was subtle, picking out his fingers on the strings. And, it needs repeating, we could hear Every. Single. Note. Clearly. (Kudos to Peter the sound man). It was the kind of performance you’d pay 30, 40, 50 and more quid to go and see in the Symphony, or Royal Albert, hall. I paid three quid and this was just the first act. As we’d write on twitter: #win.
The next act, as with the others introduced by the irresistably friendly Dr Soesmix, came on. Danny was a solo guitar musician hailing from Scotland and had risked the train ride over the border for this event. His quietly understated songs, with for those people listening nicely sharp lyrics, continued the relaxed atmosphere initiated by Charles. Half time. I bought a large slab of cake. It cost me a pound. Supper. Super. Super Supper. Whatevs; it was nom and I was full and halfway to a diabetic coma.
Though all good, the third act, Arkala, were my favourite. They performed one long, sinuey, thirsty piece using guitar, drum, fading feedbacked miniature megaphone, miniature hurdy gurdy (yes! eighties pocket instruments!), and other exotic equipment. Imagine a longer, more epic, twisty version of the Chemical Brother’s Private Psychedelic Reel, but reinterpreted by múm while being played by Jóhann Jóhannsson sitting in an Icelandic volcanic-heated lagoon (yes I am obsessed with all Nordic culture; deal with it) – and that’s part of the way there. The only downside: it eventually finished
The final act were a local three piece band, three guys playing the kind of array and combination of instruments you don’t usually see being played together. A loud cheer went up, announcing the local support, and Mendi Singh on the tabla, a crossed legged drumming arrangement, led on the first piece. It was interesting watching him play the tabla close up, and the sounds it made finally made sense, seeing how he used the palm and heel of his hand, not just the fingers, to produce individual sounds which … curved … in pitch and tone. Mendi was joined by two other musicians who (as I’m not an artist or musician, and not part of the local scene) I appeared to be the only person in the room not to know. And all three were seriously good, at one point playing what appeared, and sounded, to be Persian, sub-continental and Irish music at the same time. And it worked. A broadsheet reviewer would come up with some wanky term for this (“Global Jazz Fusion”?), but for me it just … worked. As individuals, and as a group, all three were tremendous.
And then they finished and, despite three or four hours of music and chat, it was over. More conversations, then a walk back through pre/post apocalyptic Digbeth.
And the cost, for the economically minded. Admission: 3 pounds. Booking fee: erm, what booking fee? Beer: 2.50. Soft drink: 50p. (Seriously – when was the last concert you went to where soft drinks were 50p each? The Wurzels in Taunton in 1977?) And a large slab of cake: £1. So, I saw four quality acts, spread over several hours, had left the house with ten pounds … and still came back with three.
But even better, I returned back to base and to two perpetually pretending-we-are-unfed cats blissed, and with a lower blood pressure. Which is just what the “doctor” ordered.
Thanks John – nice review, fancy going myself! Everybody else, don’t forget this weekend’s Flatpack-flavoured goodness at the Edge – two special Outersight Psychedelic Psynema Pshenanigans, we received this postcard the other day…
Looks like it’s going to be a blast! There might be one or two (literally) tickets left, so scoot over to Flatpack festival to get your hands on ‘em.
For this year’s Flatpack festival we are teaming up with Scott Johnston from filmficciones to produce ‘Outersight Overnight’ – an all-night sleepover/film showing. The theme will be a kind of Jodowrosky-inspired faux shamanic ritual on a mystical Peruvian mountaintop – as you do. We’re looking for a troupe of ‘performers’ to improvise the parts of [...]
For this year’s Flatpack festival we are teaming up with Scott Johnston from filmficciones to produce ‘Outersight Overnight’ – an all-night sleepover/film showing. The theme will be a kind of Jodowrosky-inspired faux shamanic ritual on a mystical Peruvian mountaintop – as you do. We’re looking for a troupe of ‘performers’ to improvise the parts of shamans and mountain peasants and also act as ‘spirit guides’ to the small (20), selected audience. You don’t need any previous experience as a performer, we’ll train you in our mystical ways – though the ability to maintain an unconvincing Peruvian accent is essential. If you’re interested you’ll need to be available for a rehearsal/workshop next Thursday, the 8th, from 7pm, which we are hoping will be part-hosted by the internationally renowned improvisers, the Nomadic Academy of Fools (we haven’t asked them yet), who will be in residence at the Edge – and of course for the performance on the 17th – anytime between 7pm and 11am the next day (but not nercessarily all of it). If you’re interested, please get in touch with Marta, here at Friction HQ. Both the performance and the rehearsal will be here, at the Edge in deepest Digbeth. S’gonna be a lot of fun.
It’s the end of February already – soon be Christmas I guess – so Mad March will be upon us very soon. We had a great gig last Friday, with encore’s and plaudits from the headliners, Milky Wimpshake – ‘favourite venue on the European tour’. Aaawwww, shucks – it was great to have you guys [...]
It’s the end of February already – soon be Christmas I guess – so Mad March will be upon us very soon. We had a great gig last Friday, with encore’s and plaudits from the headliners, Milky Wimpshake – ‘favourite venue on the European tour’. Aaawwww, shucks – it was great to have you guys here, indie to the bone…
So, next up we have lovely Sonic Asylum next Friday 2nd March (see below for details). The usual eclectic mix of healing live acts on and offstage, this time we’ve got four acts and two DJs – all for three quid – how do we do it? Well, mainly by not getting paid (though all the acts are!), it’s a labour of love. So, come on down to the Edge, relax and be healed and transported by the great music and the chilled family atmosphere. We welcome everyone here at the Edge (we’re physically accessible and equipped), no matter what age. Last Sonic we had a young girl tucked up fast asleep next to the stage during a particularly mad drum solo (more a drum freakout), she didn’t bat an eyelid and slept straight through the whole gig, safe and snug. No need for babysitters at the Edge. (It’s not a creche, though, at your own risk, etc)
The very next day, Saturday 3rd we have our annual residency by those crazy travelling folk, The Nomadic Academy of Fools! They’ll be running workshops over the weekend and through the week, leading to performances the following weekend. Check back or get in touchfor more details. If you’re into theatre I urge you to go to some or all of the workshops – they will change your life. Jonathan Kay, the ‘foolish Lecoq’ (my words, not his and don’t tell him I said it) turned me from a non-performer to someone who isn’t afraid to stand in front of 5000 people and make a tit of myself (and I have). The workshops are cheap as chips and work on a ‘pay what you can’ basis. Super recommended.
Flatpack – we’ve got two great events over the Festival. On the Friday night we have a Outersight special – big screen projections, live sounds, unseen footage galore, all curated by Brian Blessed’s little brother, Scott from filficciones – chemical brain augmentations unnecessary, the visuals will do the job! More info (and more to come) on the festival website.
The Saturday night (17th March) we have an extra super special secret, limited edition, never-to-be-repeated event- Outersight Overnight. A very lucky 20 people only will be coddled to sleep by South American peasants after a strange ritual led by a mysterious shaman, all on a massive bed in a specially created jungle mountaintop retreat. In the heart of Digbeth. You’ll be able to cuddle up overnight, with filmic magic projected over your head, slipping in and out of consciousness while being watched over by our team of servile shepherds. Snap those tickets up when they’re out! (keep checking the flatpack website.)
Later in March, there’s more to come, including a vegan festival (BRAVE) and loads more, watch this space!
Loads of good Friction news, too, but I’ll save that for later
Next Friday, 17th Feb,we are proud to be hosting the first Birmingham gig by cult indie/punk stalwarts Milky Wimpshake – see below.
Fantastico! First gig in the city in 25 years or something, so well worth putting in your filofaxes!
Also, announcing the first Sonic Asylum of 2012 -
Professional Incredibles & Friction Arts present…
SONIC ASYLUM
sonic sanctuary for [...]
Next Friday, 17th Feb,we are proud to be hosting the first Birmingham gig by cult indie/punk stalwarts Milky Wimpshake – see below.
Fantastico! First gig in the city in 25 years or something, so well worth putting in your filofaxes!
Also, announcing the first Sonic Asylum of 2012 -
Professional Incredibles & Friction Arts present…
SONIC ASYLUM
sonic sanctuary for music asylum seekers
Friday 2nd March
8pm-late
@ The Edge, 79-81 Cheapside, Digbeth
£3 entry
Charles H. Wolfenbloode
traditional Chinese Guqin player
http://www.youtube.com/
Arkala
http://www.youtube.com/
DJ set by a Magpie & a Pirate
and a surprise headliner!
Sonic Interactions & sounds to mess with ya minds, drinks, cake, live art + resident Dr Soesmix with her sonic remedies…
just the tonic to start your friday night!
ya mums not here now kid!
Finally, this Friday at Bantock House in Wolvo is the first ‘conference’ type thingy for West Midlands Participatory Arts Forum – see www.wmpaf.org for more details
Skyward ho!
http://rocketupyourarts.wordpress.com/2012/01/31/milky-wimpshake-choose-art-studio-for-first-birmingham-gig/
We are inviting artists/creatives to come and join us for an exploratory evening here at our HQ, The Edge on Thursday 16th February, (2012); We recently advertised a post here at Friction and were overwhelmed by a stunning volume of very passionate and creative people, mostly from our region, that we were unaware of. Therefore [...]
We are inviting artists/creatives to come and join us for an exploratory evening here at our HQ, The Edge on Thursday 16th February, (2012); We recently advertised a post here at Friction and were overwhelmed by a stunning volume of very passionate and creative people, mostly from our region, that we were unaware of. Therefore we decided to have an evening where these people and other interested creatives could come and spend some time with us, meet other like-minded people and explore the possibilities of how individuals and groups might want to engage with Friction and our space ‘The Edge’.
We’ve never been good at accepting help, we always want people to get as much out of any work they do, as they put into into it – and we can’t afford hordes of staff on our very tight budgets. What we can offer, however, is a wealth of experience in project and event management, art and participation, arts in the public realm, a very special venue and lots of fun. Back in the day, Vivid, then more of a film-makers support agency than it is now, had a great system. Volunteers would work for them, earning credits, which could then be used towards using their production facilities, equipment hire, etc, and we are putting together a similar system here.
What we need:
- Administrative help
- Project and event management help
- Venue maintenance and development help
- Project delivery help
- Interviewers for our two-year oral history project
- Artists and makers to help us build exhibitions and installations
- Performers – (in the widest sense of the word) for our events and interventions
- Front of house staff – for our events
What we can offer:
- Training in all of the above (we’ve been doing this stuff for 20 years)
- Credits towards equipment hire
- Credits towards hiring our venue, the Edge
- Credits towards training and mentoring (our artist/directors have had a hand in designing training initiatives such as Fierce’s Metapod and Creative Alliance’s programmes and we’re founders of CA), career and personal/practice development
- Credits towards developing your own events, festivals and projects (helping you throughout the process)
- Credits towards help in developing funding bids
- Credits towards anything else we can help you with
So, if any of this interests you, and you’d like to find out more, we’re hosting a volunteers event on Thursday 16th February 2012, from 6.30 at the Edge, 79-81 Cheapside, Deritend, B12 0QH. We’ll be telling you more about all the exciting projects that we’re doing this year, more about the ‘volunteer offer’ and we’ll be providing refreshments of course. You may have your own ideas – bring them with you! If you’d like to attend, please RSVP to info@frictionarts.com, so we have an idea of how many chairs to put out.
see you there!
Haven’t posted for a while, my bad, just been too busy. So, lots of news to catch up on:
Say hello to our new admin person/girl Friday, Marta Samalea! Marta, originally from Madrid, has just started with us and will be helping us to deliver the many projects and events we’ve got planned. Wish her luck, [...]
Haven’t posted for a while, my bad, just been too busy. So, lots of news to catch up on:
- Say hello to our new admin person/girl Friday, Marta Samalea! Marta, originally from Madrid, has just started with us and will be helping us to deliver the many projects and events we’ve got planned. Wish her luck, she’s highly likely to need it – and say hello again to Zara, who is back with us (sadly only temporarily)
- On the 28th of January we are showing the results of our C2KII – the second of our projects with the Town Hall. We’ve been working with parents and toddlers at St Thomas’s in Atwood Green to create a series of installations using sound and animation. It’s been a challenge to make something that not only meets our high standards of artistic merit, but fully involves the children and parents. Well, we think we’ve managed it, and with a team including Babis Alexiadis, Sarah Wilson, Simon Walker and Soesan Edan, how could we not? The showing is by invitation only, but if you’d like to attend, get in touch and we’ll invite you. Particularly recommended for under 5s and their parents or if you want to release your inner child (something we don’t have a problem with, we still think farting is hilarious!).
- The Edge. We’ve got all kinds of treats planned for the early part of the year, from a vegan festival to a pyjama party. First off will be the laptop frenzy of the Network Music Festival – from 26th-29th January. Loads of great talks, installations and performances are promised – get over to their website and grab some tickets while you can. On Friday 17th February there’s a rare outing at the Edge for cult band Milky Wimpshake – again, grab a ticket while you can, this one is likely to sell out. We’re putting together a full feb/march calendar of events, which we’ll be posting here next week, we’ll let you know.
- Flatpack Festival – We’ve teamed up with film ficciones (Scott Johnston in full Brian Blessed mode) and will be holding a couple of events here at the Edge, including an Outersight special and a very limited edition film sleepover event. More info soon
- Finally, for now, we’ve got some fantastic news about a big project we’ve been planning – but we can’t tell you yet, as the news has been embargoed by the funder for a while. So you’ll have to wait. Sorry about that. Ooh, I’m such a tease…
Friction Arts & Professional Incredibles presents:
SONIC ASYLUM
sonic sanctuary for music asylum seekers.
Yes Yes! We’re back! We’ve been away a long time and now we’ve got some special treats to see you through the icy months…
Deacon Martin
‘The man they couldn’t corrupt’
http://www.deaconmartin.ecrp1.com/index.html
Jonny Marks
Throat Singer Extraordinaire
http://www.myspace.com/jonnymarks77
Mahmutt
A unique multi-instrumental sonic experience
http://www.myspace.com/bet4mahood
Honeyfeet
Manchester based, Whisky drenched, foot tapping, rhythm blues jazz
http://www.honeyfeet.org/
Bassnote [...]
Friction Arts & Professional Incredibles presents:
SONIC ASYLUM
sonic sanctuary for music asylum seekers.
Yes Yes! We’re back! We’ve been away a long time and now we’ve got some special treats to see you through the icy months…
Deacon Martin
‘The man they couldn’t corrupt’
http://www.deaconmartin.ecrp1.com/index.html
Jonny Marks
Throat Singer Extraordinaire
http://www.myspace.com/jonnymarks77
Mahmutt
A unique multi-instrumental sonic experience
http://www.myspace.com/bet4mahood
Honeyfeet
Manchester based, Whisky drenched, foot tapping, rhythm blues jazz
http://www.honeyfeet.org/
Bassnote DJ Set
Beats & Basslines to soothe and energise
Plus…
Sonic interactions and sounds to mess with ya minds, drinks, cake, live art and resident Dr Soesmix & her Musery.
Ya mums not here now kid!
Friday 2nd December
8pm-12
@ The Edge, 79-81 Cheapside, Digbeth
£3 entry
First 20 people in get a signed copy of attached flyer by artist Krystian Garstkowiak.
Please spread the good word!
Props to Scott and the gang for the return of Outersight last Saturday. Scott worked incredibly hard despite severe back pain to treat us all to his usual eclectic and inspired mash up of shorts, clips and sounds, this time with an American Gothic type horror theme, followed by a feature about a homicidal bed! [...]
Props to Scott and the gang for the return of Outersight last Saturday. Scott worked incredibly hard despite severe back pain to treat us all to his usual eclectic and inspired mash up of shorts, clips and sounds, this time with an American Gothic type horror theme, followed by a feature about a homicidal bed! Re, as they say, spect.
We’re busy as ever, juggling current, future and past projects like a circus octopus. We’re working on what, hopefully, will be a long-term project on Castle Vale, for Active Arts, where we’re hoping to ‘lift the vale’ on this overlooked part of our city. It’s early on, but we’re intending to create a series of projects and interventions to take people to the Vale and vice versa. Watch this space.
Sandra is off to Brussels next week to speak at Banlieue’s D’Europe’s annual shindig, they’ve asked her to present the South Africa project to an audience of artists and arts professionals from across Europe, which will be nice. Next year, all being well, she’ll be telling them about our adventures in Brazil.
One of the reasons we find (or make) life difficult, is our naive optimism, and belief in the inherent goodness of humanity. We get stung over and over again, as we tend to trust first and ask questions later. We have been described as militant optimists, and i suppose that is fairly accurate, we couldn’t really be any other way. We do tend to wear our ethics on our sleeves, as it were, and we know this can make people uncomfortable. Somehow, showing your moral standards publicly makes people think that, maybe you are judging them – fyi, being judgemental is something we are aware about and try very hard not to do.
Now, one of the reasons we have survived so long (20years so far, how’s that for sustainability?) is that we have stuck to our guns. Everything we do is debated, examined, discussed before we do it. We’ve got the luxury of being around each other 24/7, and being obsessive (or committed, delete as applicable) about what we do, we tend to pretty much discuss ‘The Work’ constantly and this has meant that ‘it’ has been the focus of our lives. So, yes, we do tend to display our morals, ethics, our views and our politics pretty openly, we do tend to say what we think, and we are not scared to upset the applecart in the process. It’s a dirty job. But we never judge people on what they think, what they say, believe, feel. Only on what they do. Mentalists we may be, but not judgementalists.
Where we get into trouble is that, in our lovely 21st century (we’re living in the future!), there is a tendency for there to be a gap between what people say and what they do. This is fuelled by a sensationalist media and an obsession with PR – it’s more important to be famous, than to be famous for something (see X factor, Heat magazine, etc, etc). So we are often told in the arts that image, branding (which always makes me think of branding slaves, for some reason), logos, etc are all important. Indeed, there is now a whole sub-genre of artist who’s practice is all about that self-promoting approach, and many do very well at it. Problem is, that often people get so tied up in the words, they forget what the words are supposed to be describing. The map is not the territory. One of our main articles of faith, or guiding principles or whathaveyou is: ‘If you are not doing what you say you are doing, then change what you are doing or change what you are saying’. So we try hard not do so, and consequently tend to challenge it when we hear it. Which gets us into trouble, because, well, people would often rather go along with the lie than remove a piece from the house of cards. Where would be then? Reality perhaps?
Disclaimer: We claim no high moral ground here – we f*ck up, just like everybody else, we’re quite as capable of hypocrisy as anyone, we just ask that we all try harder. This blogpost was authoured by Lee Griffiths. Lee is only 50% of Friction arts and his thoughts and opinions may not be those of the other 50%, Sandra Hall. They probably are though, we agree on most things, but are not joined at the hip, so maybe not, she’s more patient than me, generally speaking.
So, the other morning we got a cab in to work. The driver was all , Hi, how you going. Turned out he was Somalian and San had had a chat in Swahili with him before, possibly after a ’debrief’ session at the Anchor (Five Star cabs just have the most interesting drivers, for some reason, we’ve had [...]
So, the other morning we got a cab in to work. The driver was all , Hi, how you going. Turned out he was Somalian and San had had a chat in Swahili with him before, possibly after a ’debrief’ session at the Anchor (Five Star cabs just have the most interesting drivers, for some reason, we’ve had many 45 minute chats, sat outside our house). Abdul was well happy, things have been moving on back in Mogadishu and he was in an amazingly upbeat mood. He cheerfully regaled us with stories of death, murder, gunshot wounds to the head, children caught in crossfire and the loss of countless family and tribal members. A nice bit of perspective, when you’re stressed out about putting in yet another funding application, or how to pay the gas bill. I think it should be compulsory that, at least once a week, you get a chat with someone like Abdul, get a reality check – or whatever the equivalent might be. Never forget to count your blessings.
Psynematic psychos, Outersight, are making a return to the Edge for Halloween shenaniganisation. Expect the usual mix of fun, frolics and filmic goodness, great music, great visuals - all with that special, Outersight je ne c’ai bloody what?
Apologies for the unpunny title, but we’ve had a very busy September and early October and I think engaging a couple of Sandra and Lee clones would be exactly how I would want Jim to fix things, were it possible for him to do so.
Espirito Brum is now over (for now). Of course it was a [...]
Apologies for the unpunny title, but we’ve had a very busy September and early October and I think engaging a couple of Sandra and Lee clones would be exactly how I would want Jim to fix things, were it possible for him to do so.
Espirito Brum is now over (for now). Of course it was a resounding success, great events, wonderful artists, connections made, joy shared, standing ovations, tears, hysterical laughter, excitement and contemplation. We really enjoyed hosting the festival, having a heap of Brazilian artists meandering around the Edge for a couple of weeks. They had a great time, too, ‘life-changing’ for a few, and for a few of our home-grown artists who had their heads lifted above the clouds by the energy and skills of our visitors. There will be many future collaborations, partnerships, exchanges and fun to come out of this and we’ll keep you informed. Biggest-ups to Tessa and Soesen for intitiation and (dis)organisation, Aline and the Quorum Qrew for being ‘Brazziliant!’ (© Specta 2011). Here’s some pictures, courtesy of Instituto Quorum
Espirito Brum 2011
While we were at it, we didn’t want to just host the Brazziliants, we wanted to make some art withfor them. So we did this:
httpv://www.youtube.com/watch?v=s-SPAFN1Jo0
September also blessed us with a visit from our buddies from Canadia, The Wilderness of Manitoba (or the Wildernii as even they are now calling themselves). A fantastically intimate Monday night gig, supported by the increasingly authentic bluesman Simon Ark, saw a blankly-gaping audience transported and transformed. We’ve been so spoiled for musicall goodness over the past month or so – next soul injections will be with the moodical staff at Sonic Asylum, first Friday in December (whenever that is)
We’ve also been very hard at developing new projects and new partnerships, very exciting times are ahead for us and the Edge. We will update you as and when we can. Keep looking out for other events at the Edge, Space2Develop are running their 3rd artists salon on the 27th October, from 7pm. The first two were great, some fantastic performances with very appreciative audiences. Well worth checking out, keep an eye on them on Facebook for future gigs. Finally we are looking forward to a special Halloween welcome back to our friends from Outersight for some more of their psynema shenanigans, music, andwonderful films from the far corners of the universe. More info when they send us some.
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