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And a happy New Year to all our friends.  As we rush headlong into another year, it’s always a good time to take stock, to reflect on the year before and how we build on our successes, and learn from our mistakes.  2009 was a landmark year for us, starting with one great project, and ending on another.  This time last year, (2009 is already the past), we were putting the finishing touches to ‘I-land life’, installing our demi-boat into the Edge and working with the young people on the performance.  We moved on to developing our Echoes from the Edge partnership with US artist Shannon Flattery, which was a great success, both because we made a really great piece of work together, but also because we learned a lot about working in a new way.  Autumn saw our residency in South Africa, another great project and a learning curve like the north face of the Eiger, which we successfully conquered.  In between we developed a number of smaller scale projects, interventions and performances, regular ‘Happy Artist’ social clubs at the Edge, and a very successful community arts apprenticeship scheme through Creative Alliance.

Here’s the postcards we made during our residency in Johannesburg – available at £3.50 a pack of five + P+P (all proceeds to George Khosi’s Boxing Club in Hillbrow, Johannesburg

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A busy year, for a change, but a good one.

So, what’s in store for 2010?  We’re developing the next stage of our heritage project, continuing to map and archive oral histories in the areas of Digbeth, Deritend and Highgate, surrounding ‘HQ’, including undergoing formal oral history training – we’re interested in other, local people getting involved, so if you would like free training in the recording and archiving of oral histories, and would be prepared to volunteer some time in return, please contact us for further information.

We’re further developing the Edge as a venue, and have now put a steering group together and are currently seeking support and resources to enable a full programme of work to emerge.  In March we are hosting Jonathan Kay and the Nomadic Academy of Fools who will be producing performances at the Edge, of their Richard II adaptation, as well as some of Mr Kays incredible, interactive performances.  If you have ever experienced any of Jonathan’s work (he ‘does’ a mega show at Glastonbury every year), you’ll make sure you attend at least one of the shows (they’re all different and worth going again and again).  As well as  the shows, the Academy will be holding a number of workshops – having attended workshops with Jonathan years ago, the techniques and approaches he taught still very much come out in our work – I urge anyone interested in performance and improvisation to attend.  Entrance to shows and workshop fees are by donation, but worth digging deep and spending big for, you are unlikely to feel ripped off whatever you pay!  So as you can see, we like the fools and are very pleased to be hosting them. If you would like further information go to the Fool’s site and contact them directly.

Later in the year we’ll be announcing further projects, workshops and events at the Edge – as well as the new website where you’ll be able to keep up with all Edge-related shenanigans.  We’ll be announcing more international adventures later in the year, starting in the Spring with a visit to Bulgaria including the Goat Milk Festival and another residency further afield in the Autumn, watch this space for further details.

Finally I’d just like to thank all the people who helped make 2009 such a momentous year for us, and wish them everything they wish for themselves in 2010 – in no particular order: Bev, Mark, Nicky, Nicola, Mitra, Sanj, Babis, Harry, Si, Ben, Rachel, Shannon, Anthea, Kyla, Zara, John, Noel, Shan, Magogo, Rhonda, Rob, Lester, Thomas and everyone we’ve worked with, played with, eaten with and hung out with during the year, thank you for being you, and, in the words of Ken Campbell, Skyward Ho!

Another action-packed week for Friction and the Edge.  First up, we’re launching Residuum at the Back to Backs, in partnership with the National Trust and Dreams of Tall Buildings. See below:

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If you come to the launch on Thursday, it’s free, otherwise usual National Trust fees apply.  It’s well worth a look around, this is living history, with the added layer of Dreams of Tall Building’s interpretation of the space through a series of sound installations.  Having heard the work in situ myself I can say it is powerful and moving work which really brings the sense of time and layers of history in the B2B’s to life.

PHD show is still at the Edge, with investigations continuing into the Darknosis project and nightly performances by Harry Palmer in his investigation laboratory/cage.  Another top show if you haven’t been yet, and worth seeing again as it develops.

Finally we are off today on our adventure to Johannesburg, South Africa on Visiting Art’s ‘Square Mile’ project.  We’ll be back at the end of November, meanwhile things continue almost as normal at the Edge.  Zara will be looking after all things Friction for us, and Happy Artist will continue, the last Friday of the month.  Wish we were  there!

We’re delirious (in more ways than one) to announce a forthcoming exhibition at the Edge as part of our ‘Close to the Edge’ programme.  PHD will feature work from the Darknosis project. In their own words:

Peter Harry and Diane (PhD) will bring their varied talents to this project.Diane and Harry, both from a fine art background will do a bit of that.

Peter will move a lot of furniture about.  Diane is a brilliant drawer so there’s going to be brilliant drawings.  Harry is a well established (misplaced) humorous performance artist, so there will be curious performance artistry.

Peter will do something.

Diane has a firm grasp of her brief, so expect some of that.phd

phd

Check out their website for further details, but be sure that they’re not lying when they say it won’t be just another art show, see you there.

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So a very busy and emotional weekend here at the Edge, with serious highs and one massive low:

First up, we held our inaugral ‘Happy Artist’ social club on Friday.  Happy Artist is our attempt to create a place for artists and their friends to meet and have fun -without any art in the mix!  We liken it to the working men’s clubs of old – but obviously in our own way.  A place to hang out, to socialise with other people who ‘get it’ and just to let your hair down with no agenda.  We realised that a lot of the socialising we were doing with other artists happened at art launches or ‘private views’ (hate that term, so old fashioned), and we thought, would it not be nice just to meet up and hang out, without ignoring someone’s artwork in the process – so Happy Artist was born.

Hanging out with happy artists

Hanging out with happy artists

Well, we had a scream!  Highlights included Harry Palmer’s electropop disco (it’s always ‘Hammertime’), impromptu semaphore dancing workshops, Lee losing his mind (and trousers), Justin from the Culture Corporation awarding Ben Waddington his Happiest Artist Award (a hastily improvised Anthony Gormless sculpture), Harry’s Michael Jackson moonwalking tribute, and the sheer joy of a roomful of rictus-like grins plastered on everyone’s face. It really was ‘like it used to be’ (and can be again!).  Next Happy Artist Social Club is Friday 28th August – see you there.

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And so to the low.  As we hope you are aware, the Edge is situated on Cheapside, an industrial street in deepest Digbeth.  For hundreds of years the area has been home to artisans, makers and engineers, creating a host of objects to go from the ‘Toyshop of the world’ out to the rest of the planet.  The area has been a hotbed of manufacturing and creativity, giving the world a host of new inventions and products from the felt tip pen to eggless custard.  Many of these inventions, and the creativity behind them, have been nurtured, not in large factories with corporate backing, but from small workshops, little two or three-man operations, working in tandem and sharing IPR – all stuff our inward-looking creative industries could learn from.

On Saturday, our neighbours, RW Cresswells, closed their doors for the final time after thirty years in the unit, and several generations of engineers working in Digbeth.  Victims of the recession, they were unable to continue in the current financial climate.  This is a tragedy, for us (they were great neighbours), but also for Birmingham, its heritage and history – their like will never be seen again.  This opens up all kinds of questions about the future – who will retain those engineering skills, what will Birmingham’s economy actually produce in the future, what happens when all the stuff we have breaks down and there is nobody left to fix it?

johnandterryWe’re extremely sad to see them leave, but have organised regular meetings where we will meet and record some of the myriad stories they have about the city and it’s engineering industries.  We’ve also agreed to take on John’s task of feeding the feral cats in the area! John and Terry, we’re sad to see you go and wish you all the best in the future.

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Babak in action

Babak in action

We had a fantastic visit by photographer Babak Salari at the weekend.  On Saturday he showed some of his photographs on the big screen at the Edge, and gave a very inspiring talk alongside.  It was great to see work with such strong political content and much lively debate was sparked.  Babak showed two series of photographs, portraits of gay and transvestite Cubans and of Afghani people displaced by thirty years of war.  The work is very powerful, I feel, partly because the images are almost matter of fact and you know you are looking at something real.  Babak told stories of meeting a mother who was forced to sell a child to prevent her other children from starving, and of fifty year olds who turned out to be thirty.  Rhonda Wilson spoke at the end, obviously moved by the work, and talked passionately about the need for political content in art, and the current dearth of politically motivated artwork on the scene.  I have to say I heartily agree, we’ve been in a long-lasting bubble of apolitical art, where it seems that artists egos and bank balances seem of more importance than commenting, reflecting and, hopefullly, influencing the cultural and social landscape.  A lot of the art I see these days is quite nice, and often well presented, but doesn’t really say a lot, often clever, rarely intelligent.  I always feel that experiencing a genuine piece of art you come away from it changed in some way.  Be honest, when did that last happen to you?  Anyway, I digress, but would like to thank Rhonda for her always valuable input to the evening and urge you all to check out the wonderful Rhubarb festival of the image this weekend.  We’d also like to thank Babak hugely for taking the time to come and visit with us, I certainly felt changed by seeing his incredibly moving images and look forward to more Babak in the future.  We had a great time and whizzed him all over Brum in the 48 hours he spent with us, taking in the Obamas People exhibition, seeing Vanley Burkes images and giving him the full ‘curry and chips’ tour of Brum.

babakandtheboysWe also want to thank the audience for coming along at such short notice (we only had a week’s warning of Babak’s visit). As usual the audience was rather more ‘lively’, shall we say than one might expect at an artist’s talk and included the usual hugely diverse group ranging from 1 year old to 70, and including our only canine member Ed!

babakaudienceFor those of you ‘in the know’, don’t forget Happy Artist social club at the Edge this Friday…

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